n YAG, Batsheva Dance Company’s first production adapted especially for the screen, house choreographer Ohad Naharin uses cinematic language to communicate his work both as director and choreographer.
“Love of dancing, longing, transformation of emotions into pure movement, dancers infusing content I have not written, refinement and exaggeration, family, touch, texture, flow, laughter at oneself, death, time, body, passion, imagination, fortune cookies, nudity, Hamutz-Hamutz, red, groove, control, pleasure, giving up.” — Ohad Naharin
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